Erich Wolfgang Korngold, London Symphony Orchestra, John Williams's 'The Adventures of Robin Hood- Robin Hood and His Merry Men' came out on January 17, 1997. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Hollywood Sound". In this album, this song's track order is #6. In terms of popularity, The Adventures of Robin Hood- Robin Hood and His Merry Men is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Adventures of Robin Hood- Robin Hood and His Merry Men by Erich Wolfgang Korngold, London Symphony Orchestra, John Williams having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Over The Rainbow (From "The Wizard Of Oz") | Arlen, Boston Pops Orchestra, John Williams | F Major | 2 | 7B | 90 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
Symphony No. 2: III. Adagio | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | ||
The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | F♯ Major | 4 | 2B | 156 BPM | ||
Atonement: Elegy for Dunkirk | Royal Philharmonic Orchestra | B Minor | 1 | 10A | 81 BPM | ||
The Play And The Flight - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 114 BPM | ||
Modern Love | John Lunn, The Chamber Orchestra Of London | A Minor | 1 | 8A | 92 BPM | ||
Poirot Variants | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Martin Robertson | G Minor | 1 | 6A | 64 BPM | ||
The End - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A♭ Minor | 1 | 1A | 109 BPM | ||
Farewell - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | D Minor | 0 | 7A | 69 BPM |