"Én Czak Azt Csodálom (Lullabye For Katharine)" by Academy of St. Martin in the Fields, Gabriel Yared was released on November 7, 1996. With Én Czak Azt Csodálom (Lullabye For Katharine) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The English Patient (Original Soundtrack Recording)". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United States. Én Czak Azt Csodálom (Lullabye For Katharine) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Én Czak Azt Csodálom (Lullabye For Katharine) by Academy of St. Martin in the Fields, Gabriel Yared having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
new small Steps | Avi Belleli | G Minor | 2 | 6A | 114 BPM | ||
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth (Arranged for Violin & Orchestra) | Frédéric Chopin, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 61 BPM | ||
Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | ||
Le lac | A Filetta | D Minor | 3 | 7A | 75 BPM | ||
The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM |