"Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: III. Cadenza" by Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures was released on February 15, 2019. Since Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: III. Cadenza is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Offenbach & Gulda: Cello Concertos". In this album, this song's track order is #6. Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: III. Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: III. Cadenza by Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
6 Consolations, S. 172: No. 5 in E Major (Andantino) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 81 BPM | ||
Aria | Friedrich Gulda, Adam Kośmieja | D Major | 0 | 10B | 182 BPM | ||
Play Piano Play "10 Pieces for Yuko": No. 6, Presto possibile | Friedrich Gulda, Martin David Jones | C Minor | 2 | 5A | 144 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 2 | 11B | 114 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM |