Claudio Arrau's 'Carnaval, Op. 9: No. 14, Reconnaissance, in A-Flat Major' came out on February 21, 2013. With Carnaval, Op. 9: No. 14, Reconnaissance, in A-Flat Major being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in New York Philharmonic, Guido Cantelli, Claudio Arrau's "Grosse Pianisten - Claudio Arrau" album is number 14 out of 28. Carnaval, Op. 9: No. 14, Reconnaissance, in A-Flat Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carnaval, Op. 9: No. 14, Reconnaissance, in A-Flat Major by Claudio Arrau to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossiennes, IES 24 : II. Avec étonnement | Erik Satie, Frank Glazer | D Minor | 0 | 7A | 70 BPM | ||
Songs without Words for Piano, Book 2, op.30: No.6: Venetian Gondolera Song ("Venezianisches Gondellied") | Peter Schmalfuss | C Major | 1 | 8B | 89 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Pascal Rogé | E Minor | 0 | 9A | 61 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
4 Impromptus, Op.90, D.899: No.3 In G Flat: Andante | Franz Schubert, Daniel Barenboim | F♯ Major | 0 | 2B | 78 BPM | ||
Iberia Book II: III. Triana | Isaac Albéniz, Claudio Arrau | F♯ Minor | 1 | 11A | 105 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 1 in C Major, Prélude. Allegro | Bedřich Smetana, Jitka Čechová | C Major | 1 | 8B | 76 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM |