Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux's 'Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet)' came out on 1962. With this song being about 5 minutes long, at 5:24, "Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet)" by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Tchaikovsky: Swan Lake (Highlights)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fruhlingsstimmen (Voices of Spring), Op. 410 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | C Minor | 1 | 5A | 185 BPM | ||
Symphony No. 2 in D, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, London Symphony Orchestra, Pierre Monteux | G Major | 0 | 9B | 82 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1a, Introduction | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 2 | 12B | 130 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 4, Variation II | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | C Major | 1 | 8B | 171 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Giselle: Variation I | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 2 | 5B | 93 BPM | ||
Verdi : La traviata : Prelude to Act 1 [Excerpt] | Giuseppe Verdi, Carlo Rizzi, London Symphony Orchestra | A Major | 1 | 11B | 87 BPM |