Kai Ichinose's 'ベートーヴェン: ピアノ・ソナタ 第14番 嬰ハ短調 作品27-2 「月光」〜第1楽章' came out on June 20, 2018. Since ベートーヴェン: ピアノ・ソナタ 第14番 嬰ハ短調 作品27-2 「月光」〜第1楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "TVアニメ「ピアノの森」 Piano Best Collection I". In this album, this song's track order is #6. Based on our statistics, ベートーヴェン: ピアノ・ソナタ 第14番 嬰ハ短調 作品27-2 「月光」〜第1楽章's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ベートーヴェン: ピアノ・ソナタ 第14番 嬰ハ短調 作品27-2 「月光」〜第1楽章 by Kai Ichinose having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
G線上のアリア(J.S.バッハ) | Takeharu Nobuhara, テレマン室内管弦楽団 | B Minor | 0 | 10A | 83 BPM | ||
2台のピアノのためのソナタ K.448 - 第1楽章 | Wolfgang Amadeus Mozart, Jenő Jandó, Zsuzsa Kollár | A Major | 2 | 11B | 135 BPM | ||
タイプライター | Leroy Anderson, Yuko Mifune | G Major | 2 | 9B | 155 BPM | ||
バレエ組曲《くるみ割人形》より あし笛の踊り | Václav Neumann, Czech Philharmonic Chamber Orchestra | B♭ Major | 7 | 6B | 112 BPM | ||
4 Impromptus, Op. 142, D. 935: No. 4 in F Minor | Franz Schubert, Michael Endres | F Minor | 2 | 4A | 127 BPM | ||
Kinderszenen, Op. 15: 10. Fast zu ernst | Robert Schumann, Clara Haskil | F Major | 2 | 7B | 69 BPM | ||
ヴァイオリン協奏曲 ヘ短調<冬>作品8の4 第1楽章 Allegro non molto | Antonio Vivaldi, Tamaki Kawakubo, Kioi Sinfonietta Tokyo | A Minor | 3 | 8A | 109 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 4 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 68 BPM | ||
プレリュード 変ニ長調 作品28-15「雨だれ」 | Kai Ichinose | D♭ Major | 0 | 3B | 65 BPM | ||
マズルカ 作品50 第3曲 嬰ハ短調 | Kai Ichinose | D♭ Minor | 0 | 12A | 96 BPM |