"Atys, Acte IV, Scène 4: "Je jure / Je promets" (Atys, Sangaride)" by Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie was released on February 28, 1987. With Atys, Acte IV, Scène 4: "Je jure / Je promets" (Atys, Sangaride) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 5 out of 74. On top of that, France appears to be the country where this track was created. In terms of popularity, Atys, Acte IV, Scène 4: "Je jure / Je promets" (Atys, Sangaride) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Atys, Acte IV, Scène 4: "Je jure / Je promets" (Atys, Sangaride) by Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Isis Opera In 5 Acts With Prologue / Prologue: C'est lui dont les dieux ont fait choix | Jean-Baptiste Lully, Ex Tempore, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 93 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM |