On 1989, the song "La, la, la, je ne I'ose dire" was released by Pierre Certon, The King's Singers. With La, la, la, je ne I'ose dire being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 34 in the song's album "The King's Singers Madrigal History Tour". In this album, this song's track order is #16. Based on our statistics, La, la, la, je ne I'ose dire's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With La, la, la, je ne I'ose dire by Pierre Certon, The King's Singers having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ultimi mei sospiri - 1989 Digital Remaster | Philippe Verdelot, The King's Singers | D Minor | 1 | 7A | 88 BPM | ||
Lux aeterna: Lux Aeterna: O nata lux | Morten Lauridsen, Elora Festival Singers, Noel Edison | D Major | 0 | 10B | 171 BPM | ||
Seaside Rendezvous - Arr. for Vocal Ensemble by Paul Hart | Freddie Mercury, The King's Singers | C Major | 1 | 8B | 76 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Amarillide, deh vieni | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 1 | 7B | 135 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM |