Johann Sebastian Bach, Charl du Plessis Trio's 'Toccata & Fugue in D Minor, BWV 565: I. Toccata - Arranged by Charl du Plessis' came out on October 14, 2016. The duration of Toccata & Fugue in D Minor, BWV 565: I. Toccata - Arranged by Charl du Plessis is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Toccata & Fugue in D Minor, BWV 565: I. Toccata - Arranged by Charl du Plessis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 20 in Baroqueswing Vol. II by Charl du Plessis Trio. In terms of popularity, Toccata & Fugue in D Minor, BWV 565: I. Toccata - Arranged by Charl du Plessis is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Toccata & Fugue in D Minor, BWV 565: I. Toccata - Arranged by Charl du Plessis by Johann Sebastian Bach, Charl du Plessis Trio is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fugue in a Minor | The Modern Jazz Quartet | A Minor | 0 | 8A | 89 BPM | ||
Always and Forever | Bob Curnow's L.A. Big Band, Bobby Shew, Wayne Bergeron, Alex Iles | C Major | 1 | 8B | 116 BPM | ||
Danzón No. 2 - Transcr. for piano and percussions | Arturo Márquez, Simon Ghraichy, Emmanuel Curt, Florent Jodelet | D Minor | 3 | 7A | 114 BPM | ||
Tango en Skai | Roland Dyens, Elena Papandreou | A Minor | 1 | 8A | 120 BPM | ||
Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | ||
The Londonderry Air | Barry Harris | E♭ Major | 1 | 5B | 83 BPM | ||
Arietta - Based on Grieg's Lyrical Pieces, Op. 12 | Edvard Grieg, Tim Allhoff, Morphing Chamber Orchestra | E♭ Major | 1 | 5B | 135 BPM | ||
Blue bossa | Dexter Gordon | A♭ Major | 4 | 4B | 82 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Baroque and Blue, Pt. 1 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | G Major | 2 | 9B | 107 BPM |