"Intrada for Trumpet & Piano in C Major, H. 193: Intrada" by Arthur Honegger, Håkan Hardenberger, Roland Pöntinen was released on January 31, 1985. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Virtuoso Trumpet by Håkan Hardenberger, Roland Pöntinen. The song's track number on the album is #10 out of 15 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Based on our statistics, Intrada for Trumpet & Piano in C Major, H. 193: Intrada's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Intrada for Trumpet & Piano in C Major, H. 193: Intrada by Arthur Honegger, Håkan Hardenberger, Roland Pöntinen has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Intrada for Trumpet & Piano in C Major, H. 193: Intrada being at 123 テンポ, the half-time would be 62 テンポ with a double-time of 246 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les mariés de la tour Eiffel: No. 3, Discours du general (Polka) | Francis Poulenc, Georges Auric, Arthur Honegger, Darius Milhaud, Germaine Tailleferre, Wynton Marsalis, Judith Lynn Stillman | A♭ Major | 3 | 4B | 136 BPM | ||
Le Roi David, H 37, Part. 1: Psaume « L’éternel est ma lumière infinie » | Arthur Honegger, Ensemble Vocal de Lausanne, Daniel Reuss, L'Orchestre de la Suisse Romande | G Major | 1 | 9B | 154 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Parysatis, R. 312: Introduction. Air de ballet No. 1 | Camille Saint-Saëns, Orchestre Divertimento, Zahia Ziouani | F Major | 1 | 7B | 142 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Para chelo | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 84 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM |