Ferdinand Kauer, Budapest Strings, Karoly Botvay made "12 New Hungarian Dances: No. 6. —" available on January 1, 1994. With 12 New Hungarian Dances: No. 6. — being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 34 in the song's album "Orchestral Music (Hungarian) - Kauer, F. / Csermak, A. / Rozsavolgyi, M. / Weiner, L. (Hungarian Dances)". In this album, this song's track order is #6. In terms of popularity, 12 New Hungarian Dances: No. 6. — is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 12 New Hungarian Dances: No. 6. — by Ferdinand Kauer, Budapest Strings, Karoly Botvay having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in F, Op. 6, No. 9 - Rev. Vittorio Negri (1923 - ): 2. Allemanda: Allegro | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | F Major | 2 | 7B | 100 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Roger Lord, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 107 BPM | ||
Concerto grosso in C, Op. 6, No. 10 - Rev. by Vittorio Negri (1923 - ): 4. Corrente (Vivace) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | C Major | 2 | 8B | 81 BPM | ||
Leclair: Violin Concerto in D Minor, Op. 7 No. 1: II. Aria | Jean-Marie Leclair, Jean-François Paillard, Gerard Jarry, Orchestre de chambre Jean-François Paillard | F♯ Minor | 1 | 11A | 94 BPM | ||
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: I. Allegro | Johann Stamitz, Musica Viva, Alexander Rudin | A Major | 2 | 11B | 147 BPM | ||
Concerto for 2 Horns, Strings and Continuo in D: 4. Allegro assai | Georg Philipp Telemann, Hermann Baumann, Timothy Brown, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 104 BPM | ||
Divertimento for Flute, Violin & Cello in D Major, Hob. IV:6: I. Adagio cantabile | Joseph Haydn, Anna Zhitnukhina, Hayley Bullock, Dmitrij Gornowskij | G Major | 2 | 9B | 110 BPM | ||
Sonate für Trompete Nr. 4 D-Dur: II. Largo | Domenico Gabrielli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: III. Presto - | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | A♭ Major | 3 | 4B | 89 BPM |