"Stabat Mater (Hob. XXbis) 1767: X. Virgo virginium praeclara" by Joseph Haydn, Patricia Rozario, Catherine Robbin, Anthony Rolfe Johnson, Cornelius Hauptmann, The English Concert, Trevor Pinnock, The English Concert Choir was released on January 1, 1990. Since Stabat Mater (Hob. XXbis) 1767: X. Virgo virginium praeclara is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Patricia Rozario, Catherine Robbin, Anthony Rolfe Johnson, Cornelius Hauptmann, The English Concert Choir, The English Concert, Trevor Pinnock's "Haydn: Stabat Mater" album is number 10 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Stabat Mater (Hob. XXbis) 1767: X. Virgo virginium praeclara's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater (Hob. XXbis) 1767: X. Virgo virginium praeclara by Joseph Haydn, Patricia Rozario, Catherine Robbin, Anthony Rolfe Johnson, Cornelius Hauptmann, The English Concert, Trevor Pinnock, The English Concert Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 4 in C Major, K. 157: III. Presto | Eder Quartet | C Major | 2 | 8B | 81 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Allegro giusto | Franz Schubert, L'Archibudelli | A Major | 1 | 11B | 82 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro | Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington | A Minor | 3 | 8A | 168 BPM | ||
Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese | Franz Joseph Haydn, Kungsbacka Piano Trio | G Major | 1 | 9B | 147 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM |