"Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother]" by Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra was released on October 1, 1993. The duration of Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra's "Humperdinck : Hänsel und Gretel" album is number 10 out of 33. Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] by Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 4, Op. 61, TH 34 "Mozartiana": III. Preghiera | Pyotr Ilyich Tchaikovsky, Sinfonieorchester Aachen, Christopher Ward | D Major | 5 | 10B | 140 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Holy and Celestial Harmony | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | E Major | 0 | 12B | 111 BPM | ||
L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 2, Zum Gloria | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | F Major | 2 | 7B | 135 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
Te Deum in C Major, WAB 45: III. Aeterna fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | C Major | 1 | 8B | 65 BPM |