Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt's ' "Missa Sancti Joannis Nepomuceni, MH 182: Kyrie" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Missa Sancti Joannis Nepomuceni, MH 182: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Werner Ehrhardt's "Haydn, M.: Requiem in C Minor / Missa Sancti Joannis Nepomuceni / Te Deum in D Major" album is number 14 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Missa Sancti Joannis Nepomuceni, MH 182: Kyrie is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Missa Sancti Joannis Nepomuceni, MH 182: Kyrie by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in B-Flat Major, MH 838: XIV. Lux aeterna | Michael Haydn, Lydia Teuscher, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | F♯ Major | 1 | 2B | 111 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Requiem in C Minor, MH 155: Va. Sanctus et Benedictus. Sanctus | Michael Haydn, Carolyn Sampson, Peter Harvey, Robert King, The King's Consort, Choir of The King's Consort, Hilary Summers, James Gilchrist | F♯ Major | 1 | 2B | 129 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM |