On January 1, 1989, the song "String Quartet In D Major, Op.64, No.5 "The Lark", Hob.III:63: 4. Finale. Vivace" was released by Joseph Haydn, Hagen Quartett. The duration of String Quartet In D Major, Op.64, No.5 "The Lark", Hob.III:63: 4. Finale. Vivace is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. String Quartet In D Major, Op.64, No.5 "The Lark", Hob.III:63: 4. Finale. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Hagen Quartett's "Haydn: String Quartets Op.64 No.5 "The Lark"; Op.1 No.1; Op.74 No.3 "The Horseman"" album is number 4 out of 13. Based on our statistics, String Quartet In D Major, Op.64, No.5 "The Lark", Hob.III:63: 4. Finale. Vivace's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of String Quartet In D Major, Op.64, No.5 "The Lark", Hob.III:63: 4. Finale. Vivace by Joseph Haydn, Hagen Quartett to be Allegro (fast, quick, and bright) because the track has a tempo of 148 テンポ, a half-time of 74テンポ, and a double-time of 296 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Symphony No.5 In B Flat, D.485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : II. Largo - Larghetto | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major: II. Andante | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | A♭ Major | 1 | 4B | 66 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |