"The Sleeping Beauty, Op. 66, TH 13: Scène dansante" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia was released on 1992. With this song being about 5 minutes long, at 4:48, "The Sleeping Beauty, Op. 66, TH 13: Scène dansante" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tchaikovsky: Sleeping Beauty". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The Sleeping Beauty, Op. 66, TH 13: Scène dansante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13: Scène dansante by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Le Corsaire: Act III - "4. Le Jardin Anime: Waltz" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 0 | 4B | 142 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Coda | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Hunters approach with their guns | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 106 BPM | ||
Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM |