スクリーン・サウンド・アート・オーケストラ's 'メロディ・フェア (小さな恋のメロディより)' came out on July 9, 2006. The duration of メロディ・フェア (小さな恋のメロディより) is about 3 minutes long, at 3:10. Based on our data, "メロディ・フェア (小さな恋のメロディより)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 華麗なるスクリーン・ムード ~ある愛の詩, so we believe that "メロディ・フェア (小さな恋のメロディより)" is a single. In terms of popularity, メロディ・フェア (小さな恋のメロディより) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of メロディ・フェア (小さな恋のメロディより) by スクリーン・サウンド・アート・オーケストラ is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
タラのテーマ 「風と共に去りぬ」より | Royal Pops Orchestra | F Major | 3 | 7B | 145 BPM | ||
第三の男 ビールのCM曲 ORIGINAL COVER | NIYARI計画 | G Major | 5 | 9B | 150 BPM | ||
浪路はるかに | ビリー・ヴォーン楽団 | F Major | 3 | 7B | 93 BPM | ||
大都会 PartII | 杉本真人, Siena Wind Orchestra | D Minor | 6 | 7A | 120 BPM | ||
パリの空の下 | ピエール・ポルト | E Minor | 4 | 9A | 110 BPM | ||
鉄道員のテーマ | フィルム・スタジオ・オーケストラ | D Minor | 1 | 7A | 95 BPM | ||
80日間世界一周 | ビクター・ヤング楽団 | D Major | 3 | 10B | 126 BPM | ||
上を向いて歩こう - カラオケ | Kyu Sakamoto | G Major | 1 | 9B | 146 BPM | ||
クレイマー、クレイマー (クレイマー、クレイマーより) | スクリーン・サウンド・アート・オーケストラ | C Major | 5 | 8B | 171 BPM | ||
いつでも夢を | Yukio Hashi, Sayuri Yoshinaga | B Major | 5 | 1B | 108 BPM |