Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro

Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti
Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 7 - 12
3:46 1968年1月1日
テンポ
104
キー
D Major
キャメロットミュージックキー
10B

リンクを埋め込む

共有

Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro - Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti 情報

音響性
77%
ダンサビリティ
58%
エネルギー
33%
手段性
51%
活気
32%
ラウドネス
78%
話し言葉
3%
価数
77%
人気
ラウドネス
-13.13 dB

まとめ

Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti made "Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro" available on January 1, 1968. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 18 in Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 7 - 12 by Tomaso Albinoni, Pierre Pierlot, Piero Toso, I Solisti Veneti, Claudio Scimone. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro テンポ

The tempo marking of Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro by Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro キー

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: III. Allegro by Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol MattConcerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: III. AllegroTomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol MattC Major48B119 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Viola Concerto in C Minor: II. Adagio molto espressivo by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensViola Concerto in C Minor: II. Adagio molto espressivoJohann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensA♭ Major24B133 BPM
Sinfonia to Il Giardino di Amore: II. Largo e piano by Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly BotvaySinfonia to Il Giardino di Amore: II. Largo e pianoAlessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly BotvayB Minor010A80 BPM
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl MünchingerOrfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed SpiritsChristoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl MünchingerF Major17B67 BPM
Suite From Abdelzar: I. Rondeau by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonSuite From Abdelzar: I. RondeauHenry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonD♭ Minor112A101 BPM
Nocturne in E-Flat Major by Mikhail Glinka, Xavier De MaistreNocturne in E-Flat MajorMikhail Glinka, Xavier De MaistreE♭ Major05B81 BPM
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - InstrumentalLudwig van Beethoven, Murray PerahiaA♭ Major04B62 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Pergolesi: Stabat Mater: III. O quam tristis et afflicta by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat Mater: III. O quam tristis et afflictaGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor111A111 BPM
ISRC
FRZ206804001
レコードレーベル
L-M Records/RCA Records