"Suite for Marijn's Digital Orchestra: I. A New Phase - Remastered 2018" by Marijn Simons, Joost Vrouenraets, Maïté Guérin, Raphaël Eder Kastling, Francesca Imoda, Diego Torres, Hung Phuc Nguyen, Vanessa Peraldo, Melissa Peraldo was released on August 10, 2018. With Suite for Marijn's Digital Orchestra: I. A New Phase - Remastered 2018 being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marijn Simons's "Have You Heard the Solos? (Remastered)" album is number 7 out of 12. Based on our statistics, Suite for Marijn's Digital Orchestra: I. A New Phase - Remastered 2018's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Marijn's Digital Orchestra: I. A New Phase - Remastered 2018 by Marijn Simons, Joost Vrouenraets, Maïté Guérin, Raphaël Eder Kastling, Francesca Imoda, Diego Torres, Hung Phuc Nguyen, Vanessa Peraldo, Melissa Peraldo to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wunderkammer: III | Danny Elfman, Joann Falletta, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 98 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Five_4 (ballet music) | Marijn Simons, Kathryn Mientka, Tyme Mientka, Martin Sieghart, Arnhem Philharmonic Orchestra | C Major | 4 | 8B | 118 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant II. Allegro moderato | Ralph Vaughan Williams, London Philharmonic Orchestra, Vernon Handley | B Minor | 1 | 10A | 81 BPM | ||
Symphony No. 1 "Land of the Free": III. Viral Veil | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Como aceite | Gabriel Andrés Gallegos | E♭ Major | 0 | 5B | 75 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM |