"Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend" by Gustav Mahler, Lorin Maazel, Wiener Philharmoniker was released on 1983. Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Lorin Maazel's "Mahler: Symphonies Nos. 1 - 10 & Kindertotenlieder" album is number 2 out of 122. On top of that, United States appears to be the country where this track was created. Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend by Gustav Mahler, Lorin Maazel, Wiener Philharmoniker to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grubenlichter-Walzer | Carl Zeller, Riccardo Muti, Wiener Philharmoniker | F Major | 2 | 7B | 98 BPM | ||
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Blicket auf zum Retterblick" | Gustav Mahler, René Kollo, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 2 | 10B | 99 BPM | ||
Ritter Pásmán, Op. 441: Csárdás | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | B Minor | 2 | 10A | 167 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 133 BPM | ||
Casse-noisette : danse chinoise | Wiener Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 111 BPM | ||
Tchaikovsky: Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca (Allegro moderato e semplice) - 1986 Digital Remaster | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM | ||
Nachtschwärmer, Walzer, Op. 466 | Carl Michael Ziehrer, Daniel Barenboim, Wiener Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM |