IOSYS's 'あげぽよTONIGHT' came out on May 27, 2012. With this song being about 5 minutes long, at 4:34, "あげぽよTONIGHT" by IOSYS is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 東方アゲハ NIGHTMARE, so we believe that "あげぽよTONIGHT" is a single. The popularity of あげぽよTONIGHT is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of あげぽよTONIGHT by IOSYS is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Invitation | rerulili, Ron | D♭ Major | 10 | 3B | 147 BPM | ||
壊れた人形のマーチ(MV ver.) | 少女理論観測所 | B Minor | 9 | 10A | 132 BPM | ||
巡る運命[with 十色奏音、二羽凛奈] | 少女フラクタル, 十色奏音, 二羽凛奈 | B♭ Minor | 4 | 3A | 95 BPM | ||
チルノのパーフェクトさんすう教室 ⑨周年バージョン | IOSYS | G Major | 10 | 9B | 175 BPM | ||
零の狂詩曲 | 太鼓の達人 | A Minor | 9 | 8A | 161 BPM | ||
BORDER OF STRIKE! | BEAT MARIO | B Minor | 10 | 10A | 180 BPM | ||
愛き夜道 (feat. ランコ, 雨天決行) | 魂音泉, ランコ, 雨天決行 | B Minor | 9 | 10A | 136 BPM | ||
チャンティック三妖精のイタズラ大戦争 | IOSYS | D♭ Major | 10 | 3B | 93 BPM | ||
物凄いヴァイブスで魔理沙が物凄いラップ - MASPA!! Remix | 魂音泉 | B Minor | 10 | 10A | 173 BPM | ||
「心綺楼」 | 凋叶棕 | B Major | 10 | 1B | 159 BPM |