"Through the Eyes of Love (From "Ice Castles") [Arr. B. Byers for Orchestra] - Instrumental" by Marvin Hamlisch, John Williams, Boston Pops Orchestra was released on May 4, 1993. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Unforgettable". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Through the Eyes of Love (From "Ice Castles") [Arr. B. Byers for Orchestra] - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Through the Eyes of Love (From "Ice Castles") [Arr. B. Byers for Orchestra] - Instrumental by Marvin Hamlisch, John Williams, Boston Pops Orchestra having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sabrina | John Williams | F Major | 1 | 7B | 89 BPM | ||
The Barn - Love Theme | Lucie Svehlová | D Minor | 3 | 7A | 65 BPM | ||
Grand March from Aida (Act II, Scene 2) | Giuseppe Verdi, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 114 BPM | ||
Nice Work If You Can Get It | George Gershwin, Joshua Bell, John Williams, London Symphony Orchestra | C Major | 0 | 8B | 84 BPM | ||
Phantom Fantasia: Wishing You Were Somehow Here Again | Andrew Lloyd Webber, Anthony Inglis | B♭ Major | 1 | 6B | 74 BPM | ||
Elizabeth II | Debbie Wiseman, National Symphony Orchestra | A Major | 2 | 11B | 79 BPM | ||
Phantom Fantasia: Prima Donna | Andrew Lloyd Webber, Anthony Inglis | G Major | 2 | 9B | 118 BPM | ||
The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 79 BPM |