"Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1" by Frédéric Chopin, Maria João Pires was released on January 1, 1996. With this song being about 5 minutes long, at 5:11, "Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1" by Frédéric Chopin, Maria João Pires is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 21 in Chopin: The Nocturnes by Frédéric Chopin, Maria João Pires. Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1 by Frédéric Chopin, Maria João Pires is Larghetto (rather broadly), since this song has a tempo of 61 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
España, Op. 165: 2. Tango | Isaac Albéniz, Alicia de Larrocha | D Major | 0 | 10B | 133 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Piano Concerto in E Minor, Op. 11: III. Rondo - Vivace (Single Piano Version) | Unknown, Frédéric Chopin, Yuko Kawai | E Major | 2 | 12B | 98 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) | Erik Satie, Aldo Ciccolini/Gabriel Tacchino | G Minor | 5 | 6A | 135 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Menuets, RCT 6/3-4 | Jean-Philippe Rameau, Bruce Liu | G Major | 0 | 9B | 78 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM |