"25 Preludes, Op. 64: No. 16 in F Minor: Andantino" by César Cui, Jeffrey Biegel was released on November 3, 1993. The duration of 25 Preludes, Op. 64: No. 16 in F Minor: Andantino is about 3 minutes long, at 3:03. Based on our data, "25 Preludes, Op. 64: No. 16 in F Minor: Andantino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 25 in Cui: 25 Preludes, Op. 64 by César Cui. 25 Preludes, Op. 64: No. 16 in F Minor: Andantino is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Preludes, Op. 64: No. 16 in F Minor: Andantino by César Cui, Jeffrey Biegel is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Paraphrases pour piano sur le thème favori et obligé: No. 1a, 24 Variations & Finale | César Cui, Anatoly Lyadov, Nikolai Rimsky-Korsakov, Antony Gray, Isaac Baden-Powell | C Major | 1 | 8B | 107 BPM | ||
Barcarolle in F-Sharp Major, Op. 60 | Frédéric Chopin, Rafał Blechacz | G Major | 2 | 9B | 69 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
8 Pieces, Op. 39: No. 4. Canzonetta | Reinhold Glière, Felix Froschhammer, Florian Rohn | B♭ Major | 2 | 6B | 121 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM |