"Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Qual fiamma avea nel guardo!...Hiu! Stridono lassù (Nedda)" by Ruggero Leoncavallo, Renata Scotto, Riccardo Muti, Philharmonia Orchestra was released on 1979. With this song being about 5 minutes long, at 5:27, "Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Qual fiamma avea nel guardo!...Hiu! Stridono lassù (Nedda)" by Ruggero Leoncavallo, Renata Scotto, Riccardo Muti, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 6 out of 44. Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Qual fiamma avea nel guardo!...Hiu! Stridono lassù (Nedda) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Qual fiamma avea nel guardo!...Hiu! Stridono lassù (Nedda) by Ruggero Leoncavallo, Renata Scotto, Riccardo Muti, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
La Mamma Morta | Umberto Giordano, Montserrat Caballé, Anton Guadagno | D Major | 1 | 10B | 76 BPM | ||
Estrellita | Manuel Ponce, Encarnacion Vazquez, Józef Olechowski | A Major | 1 | 11B | 133 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Pagliacci / Act 2: "O Colombina, il tenero fido Arlecchin" - "Di fare il segno" | Ruggero Leoncavallo, Ernesto Gavazzi, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | C Major | 0 | 8B | 75 BPM | ||
Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM |