"Donizetti: Roberto Devereux, Act 3: "All'ambascia ond'io mi struggo" (Sara, Nottingham) [Live]" by Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden was released on January 1, 2003. The duration of Donizetti: Roberto Devereux, Act 3: "All'ambascia ond'io mi struggo" (Sara, Nottingham) [Live] is about 3 minutes long, at 3:09. Based on our data, "Donizetti: Roberto Devereux, Act 3: "All'ambascia ond'io mi struggo" (Sara, Nottingham) [Live]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 30 in Donizetti: Roberto Devereux (Live) by Gaetano Donizetti, Nelly Miricioiu, José Bros, Sonia Ganassi, Roberto Frontali, Orchestra of the Royal Opera House, Covent Garden, Maurizio Benini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Donizetti: Roberto Devereux, Act 3: "All'ambascia ond'io mi struggo" (Sara, Nottingham) [Live] is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Roberto Devereux, Act 3: "All'ambascia ond'io mi struggo" (Sara, Nottingham) [Live] by Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: In fiamma quest'alma (Poliuto/Nearco/Christiani) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Piero de Palma, Virgilio Carbonari, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 1: Letter Scene. "Puskai pogibnu ya, no prezde" | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | C Major | 4 | 8B | 120 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |