Frédéric Chopin, Vladimir Ashkenazy's 'Mazurka No.10 In B Flat Op.17 No.1' came out on May 27, 1987. With Mazurka No.10 In B Flat Op.17 No.1 being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 59 in Chopin: Mazurkas by Frédéric Chopin, Vladimir Ashkenazy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Mazurka No.10 In B Flat Op.17 No.1 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mazurka No.10 In B Flat Op.17 No.1 by Frédéric Chopin, Vladimir Ashkenazy is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Romances, Op. 16, TH 95: 1. Berceuse | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E Major | 0 | 12B | 68 BPM | ||
Prelude No. 13 in F sharp Major Op. 28: Lento | Joanna Brezezinska | F♯ Major | 0 | 2B | 71 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Piano Concerto in G major, M. 83: II. Adagio assai | Maurice Ravel, Michael Francis, Ian Parker, London Symphony Orchestra | F♯ Minor | 5 | 11A | 73 BPM | ||
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM |