Giovanni Mossi, Augusta McKay Lodge, Ezra Seltzer, Adam Cockerham, Elliot Figg's 'Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio' came out on October 9, 2020. The duration of Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio is about 3 minutes long, at 3:07. Based on our data, "Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 27 in Corelli's Band: Violin Sonatas by Augusta McKay Lodge, Adam Cockerham, Elliot Figg. Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio by Giovanni Mossi, Augusta McKay Lodge, Ezra Seltzer, Adam Cockerham, Elliot Figg is Lento (slowly), since this song has a tempo of 60 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in F Major, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Bassoon Concerto in C Major, RV 473: III. Minuetto | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | G Major | 1 | 9B | 133 BPM | ||
Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | E Major | 4 | 12B | 84 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Suite in B Minor, Op. 5, No. 4: V. Grave | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | A Minor | 0 | 8A | 0 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto Grosso in G Minor, Op. 4 No. 12: IV. Allegro | Giovanni Mossi, Simon Standage, Collegium Musicum 90 | A Major | 1 | 11B | 71 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VI. Harlequinade. Der schertzende Tritonus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Sonata quarta in B minor, Parte Prima: I. Largo Andante | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM |