On 2011, the song "Kapitel 93 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 93 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:10. Based on our data, "Kapitel 93 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 23 out of 210. Kapitel 93 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kapitel 93 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 57 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | D♭ Major | 3 | 3B | 107 BPM | ||
Le Villi: Act I - Evviva! Evviva! Evviva! | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | C Major | 1 | 8B | 181 BPM | ||
Puccini: Turandot, Act 3: "Signor, non parlerò!" (Liù, Ping, Timur, Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Jonas Kaufmann, Mattia Olivieri, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 87 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Les Contes d'Hoffmann / Act 2: Une poupée aux yeux d'émail | Jacques Offenbach, Huguette Tourangeau, Plácido Domingo, L'Orchestre de la Suisse Romande, Richard Bonynge | G Major | 1 | 9B | 130 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
L'italiana in Algeri / Act 1: Dite: chi è quella femmina? | Gioachino Rossini, Giuliana Tavolaccini, Miti Truccato Pace, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Paolo Montarsolo, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | C Minor | 2 | 5A | 82 BPM | ||
Cherubini: Medea, Act 2: "Hai dato pronto ascolto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B♭ Major | 0 | 6B | 96 BPM | ||
Acquiesce (Live) | Mike Hill, Rudy Cardenas, Todd McCool, Johnny Gomez, David Allen | F♯ Major | 2 | 2B | 125 BPM | ||
Rossini: Messa di Gloria: IX. Qui sedes ad dexteram Patris | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | F Major | 3 | 7B | 140 BPM |