London Conchord Ensemble, Florian Uhlig made "Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau" available on 2010. With Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 27 in Bach: Suite No. 2 in B Minor, Concerto in A Major, Concerto in C Minor, Concerto in D Minor, Brandenburg Concertos No. 2, 3 & 4 by London Conchord Ensemble, Florian Uhlig. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau by London Conchord Ensemble, Florian Uhlig is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: IV. Menuet I & II | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 2 | 6B | 108 BPM | ||
6 Etudes pour le pianoforte d'apres les caprices de Paganini, Op. 3: No. 3 in C Major | Robert Schumann, Florian Uhlig | E Major | 0 | 12B | 79 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Bach Concerto in A Major for Oboe d'Amore (reconstructed from BWV 1055): III. Allegro ma non tanto | London Conchord Ensemble, Florian Uhlig | A Major | 2 | 11B | 151 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 2 | 9B | 82 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 1. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 111 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto Grosso in A Minor, Op. 6, No. 4, HWV 322: III. Largo, e piano | George Frideric Handel, Capella Istropolitana, Jozef Kopelman | G Minor | 0 | 6A | 101 BPM |