Irra Petina, London Symphony Orchestra, Nelson Riddle made "I Am Easily Assimilated (from "Candide")" available on January 1, 2000. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "This Is Broadway". In this album, this song's track order is #6. I Am Easily Assimilated (from "Candide") is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With I Am Easily Assimilated (from "Candide") by Irra Petina, London Symphony Orchestra, Nelson Riddle having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
You Are Beautiful - From 'Flower Drum Song' | Original London Cast | E♭ Major | 0 | 5B | 119 BPM | ||
There is beauty in the bellow of the blast | Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 104 BPM | ||
Buddie Beware | Jessica Stone, 'Anything Goes' New Broadway Cast Ensemble | A♭ Major | 3 | 4B | 103 BPM | ||
Cabaret: Married | John Kander, Lotte Lenya, Jack Gilford, Harold Hastings | A♭ Major | 1 | 4B | 110 BPM | ||
In Praise of Women (Act One) | Aaron Lazar, Erin Davie | F Major | 2 | 7B | 96 BPM | ||
Entr'acte / Take Back Your Mink | Faith Prince, Tina Marie DeLeone, Denise Faye, JoAnn M. Hunter, Nancy Lemenager, Greta Martin, Pascale Faye | C Minor | 2 | 5A | 77 BPM | ||
Les contes d'Hoffmann, IJO 18, Act II: "Écoutez, messieurs! Voici les gondoles" (Giulietta, Nicklausse, Hoffmann, Schlémil, Dapertutto, Chœur, Pitichinaccio) | Jacques Offenbach, Metropolitan Opera Orchestra, Maurice De Abravanel, Vina Bovy, Irra Petina, René Maison, Norman Cordon, Lawrence Tibbett, Metropolitan Opera Chorus, Angelo Badà | G Major | 1 | 9B | 73 BPM | ||
La fille du régiment, IGD 30, Act II: "Le jour naissait dans le bocage" (Marie, Sulpice, La Marquise) | Gaetano Donizetti, Metropolitan Opera Orchestra, Gennaro Papi, Lily Pons, Salvatore Baccaloni, Irra Petina | B Major | 3 | 1B | 102 BPM | ||
The Launching: How Did They Build Titanic? | Maury Yeston, Brian D'Arcy James, Kevin Stites | F Major | 1 | 7B | 46 BPM | ||
To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons | Maury Yeston, Brian D'Arcy James, Clarke Thorell, David Costabile, Robin Irwin, Jennifer Piech, John Bolton, Martin Moran, Michael Mulheren, Don Stephenson, Larry Keith, Alma Cuervo, Allan Corduner, William Youmans, Mara Stephens, Victoria Clark, Henry Stram, Titanic Ensemble, Kevin Stites | G Minor | 2 | 6A | 93 BPM |