"Barefoot Songs (Arr. for Voice & Orchestra by Antal Doráti): No. 7, Blomma säj" by Allan Pettersson, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg was released on January 1, 2009. With Barefoot Songs (Arr. for Voice & Orchestra by Antal Doráti): No. 7, Blomma säj being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Pettersson, A.: 8 Barefoot Songs / Concertos for Strings Nos. 1-2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Barefoot Songs (Arr. for Voice & Orchestra by Antal Doráti): No. 7, Blomma säj is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Barefoot Songs (Arr. for Voice & Orchestra by Antal Doráti): No. 7, Blomma säj by Allan Pettersson, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: III. Friar Laurence | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | B♭ Major | 5 | 6B | 92 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
Symphony-Concerto in E minor, Op. 125: I. Andante | Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier | A Major | 2 | 11B | 160 BPM |