"Henry Eccles: Double Bass Sonata in G Minor, No.11: I. Largo" by Henry Eccles, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki was released on June 5, 2018. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 10 in Double Bass Masterpieces by Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki. Henry Eccles: Double Bass Sonata in G Minor, No.11: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Henry Eccles: Double Bass Sonata in G Minor, No.11: I. Largo by Henry Eccles, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
The Four Seasons - Spring in E Major, RV. 269: II. Largo | Antonio Vivaldi, Adrian Chandler, La Serenissima | D♭ Minor | 0 | 12A | 91 BPM | ||
Double Bass Sonata: III. Adagio | Henry Eccles, Entcho Radoukanov, Ingrid Lindgren | A Minor | 0 | 8A | 76 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: 1. Allegro | Wolfgang Amadeus Mozart, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | D Major | 2 | 10B | 121 BPM | ||
Sonata sesta for violino solo: III. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 1 | 9A | 132 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM |