On 1995, the song "Come on Chaps" was released by Sods' Opera. With Come on Chaps being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 25 in Come on Lads... by Sods' Opera. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Come on Chaps is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Come on Chaps by Sods' Opera is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Over the Hills & Far Away | Treebeard | G Major | 5 | 9B | 127 BPM | ||
Will He No Come Back Again? | The Great Highland Pibroch | E♭ Major | 6 | 5B | 106 BPM | ||
Königgrätzer Marsch | Das Luftwaffen-Musikkorps Nr.3 | A♭ Major | 6 | 4B | 107 BPM | ||
We Rhodesians Drove Them All | The Rhodies | E Major | 8 | 12B | 175 BPM | ||
It's a Long Way to Tipperary | John McCormack | C Major | 3 | 8B | 132 BPM | ||
The Juice Of The Barley | The Clancy Brothers & Tommy Makem | B Major | 1 | 1B | 134 BPM | ||
And the Band Played Waltzing Matilda | Nathan Lay | C Major | 4 | 8B | 133 BPM | ||
The Girl I Left Behind | The Band of the Royal Military School of Music, Kneller Hall | D Major | 5 | 10B | 80 BPM | ||
Hanging On the Old Barbed Wire | Fitzrovia Chorus, John Mealing | F Major | 3 | 7B | 118 BPM | ||
The Gay Caballero | Sods' Opera | F Major | 4 | 7B | 113 BPM |