Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll made "Winterreise, Op. 89, D. 911: No. 3, Gefror'ne Tranen (Arr. T. Zimmermann and H. Holl)" available on January 1, 1991. The duration of Winterreise, Op. 89, D. 911: No. 3, Gefror'ne Tranen (Arr. T. Zimmermann and H. Holl) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Winterreise, Op. 89, D. 911: No. 3, Gefror'ne Tranen (Arr. T. Zimmermann and H. Holl)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Schubert, F.: Winterreise". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Winterreise, Op. 89, D. 911: No. 3, Gefror'ne Tranen (Arr. T. Zimmermann and H. Holl)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Winterreise, Op. 89, D. 911: No. 3, Gefror'ne Tranen (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Major | 1 | 10B | 114 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Piano Quartet In E Flat, Op.87, B. 162: 2. Lento | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: III. Polacca | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Major | 1 | 8B | 116 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 6: Allegro moderato | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Minor | 0 | 7A | 126 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Cello Sonata in A Major, Op. 21: III. Menuetto. Allegretto - Trio | Ferdinand Ries, Martin Rummel, Stefan Stroissnig | A Major | 1 | 11B | 136 BPM | ||
Sonata for Arpeggione and Piano in A minor, D.821: 3. Allegretto | Franz Schubert, Mischa Maisky, Daria Hovora | A Major | 1 | 11B | 108 BPM |