Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. With Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020 being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 2 In D minor, BWV 1008 : II. Allemande | Pablo Casals | A Minor | 2 | 8A | 135 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
String Quartet No. 21 in D Major, K. 575, "Prussian No. 1": II. Andante | Wolfgang Amadeus Mozart, Eder Quartet | A Major | 0 | 11B | 90 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 112 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877 | Daniel Barenboim | E♭ Minor | 1 | 2A | 146 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 62, Choral. "Wenn ich einmal soll scheiden" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | A♭ Minor | 1 | 1A | 83 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D Major | 0 | 10B | 79 BPM |