"Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Roucher!-Chenier!" by Umberto Giordano, Lina Bruna-Rasa, Luigi Marini, Carlo Galeffi, Anna Masetti Bassi, Ida Conti, Salvatore Baccaloni, Aristide Baracchi, Giuseppe Nessi, Natale Villa, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Lorenzo Molajoli was released on January 4, 2001. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Umberto Giordano, Lina Bruna-Rasa's "Giordano: Andrea Chenier (La Scala) (1928-1931)" album is number 10 out of 37. On top of that, Hong Kong appears to be the country where this track was created. Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Roucher!-Chenier! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Roucher!-Chenier! by Umberto Giordano, Lina Bruna-Rasa, Luigi Marini, Carlo Galeffi, Anna Masetti Bassi, Ida Conti, Salvatore Baccaloni, Aristide Baracchi, Giuseppe Nessi, Natale Villa, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Lorenzo Molajoli to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 3 | 12B | 109 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E Major | 0 | 12B | 83 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Manon: Je marche sur tous les chemins | Jules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate | G Major | 1 | 9B | 108 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM |