"West Side Story (Original Broadway Cast): Act I: Maria" by Leonard Bernstein, Larry Kert, West Side Story Original Broadway Cast was released on 1957. The duration of West Side Story (Original Broadway Cast): Act I: Maria is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. West Side Story (Original Broadway Cast): Act I: Maria's duration is considered a little bit shorter than the average duration of a typical track. This song is part of West Side Story (Original Broadway Cast Recording) by Leonard Bernstein, Original Broadway Cast of West Side Story. The song's track number on the album is #5 out of 25 tracks. West Side Story (Original Broadway Cast): Act I: Maria is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since West Side Story (Original Broadway Cast): Act I: Maria by Leonard Bernstein, Larry Kert, West Side Story Original Broadway Cast has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With West Side Story (Original Broadway Cast): Act I: Maria being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Honey Bun | Nellie Forbush | B♭ Major | 2 | 6B | 177 BPM | ||
Maybe This Time | Liza Minnelli | B♭ Major | 2 | 6B | 79 BPM | ||
I'm In Love With A Wonderful Guy | Nellie Forbush, The Ken Darby Singers | C Major | 3 | 8B | 95 BPM | ||
So Long, Farewell | Charmain Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kym Karath, Heather Menzies, Debbie Turner | B♭ Major | 2 | 6B | 120 BPM | ||
Cole Porter: Stereophonic Sound (From "Silk Stockings") | Cole Porter, The John Wilson Orchestra, John Wilson, Anna Jane Casey, Matthew Ford | F♯ Major | 6 | 2B | 129 BPM | ||
If I Were a Bell | Josie de Guzman, Peter Gallagher | E♭ Major | 1 | 5B | 178 BPM | ||
The Sound Of Music | Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath, Bill Lee | F Major | 1 | 7B | 88 BPM | ||
We Both Reached for the Gun | Gwen Verdon | B Major | 4 | 1B | 138 BPM | ||
Boy For Sale | James Saxon, Jenny Galloway | A Minor | 1 | 8A | 173 BPM | ||
One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM |