"Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A)" by Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on February 10, 2014. With this song being about 5 minutes long, at 4:42, "Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A)" by Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in C.P.E. Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann. Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) by Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM |