"Come Rain Or Come Shine (Take 4)" by Bill Evans, Scott LaFaro, Paul Motian was released on 1960. The duration of Come Rain Or Come Shine (Take 4) is about 3 minutes long, at 3:23. Based on our data, "Come Rain Or Come Shine (Take 4)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Portrait In Jazz [Keepnews Collection]". In this album, this song's track order is #10. Come Rain Or Come Shine (Take 4) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come Rain Or Come Shine (Take 4) by Bill Evans, Scott LaFaro, Paul Motian having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Lines | Lennie Tristano | E♭ Major | 1 | 5B | 111 BPM | ||
Passport | Barry Harris Trio | G Minor | 4 | 6A | 88 BPM | ||
The Midnight Sun Will Never Set | Benny Carter | G Minor | 3 | 6A | 72 BPM | ||
Morning Of The Carnival - From "Black Orpheus" | Gerry Mulligan Sextet | F Minor | 1 | 4A | 151 BPM | ||
Autumn In New York | Johnny Hodges | F Minor | 1 | 4A | 84 BPM | ||
Misty | Ray Bryant | F♯ Minor | 1 | 11A | 124 BPM | ||
Steve Allen Theme | Bud Shank, Bob Cooper | B♭ Minor | 2 | 3A | 90 BPM | ||
In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
Four And Five | Kenny Drew | D Major | 3 | 10B | 108 BPM | ||
Sweet Peach Tree | Tim Hagans | A Minor | 5 | 8A | 132 BPM |