Gustav Holst, London Symphony Chorus, London Symphony Orchestra, Geoffrey Simon's 'The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity' came out on January 1, 1991. Since The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Geoffrey Simon's "Holst, G.: Planets (The)" album is number 4 out of 8. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Gustav Holst, London Symphony Chorus, London Symphony Orchestra, Geoffrey Simon to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | C Minor | 1 | 5A | 60 BPM | ||
Carnival of the Animals, R. 125: XIV. Finale | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
Carmen Suite No. 1: Les toréadors | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | E Minor | 3 | 9A | 173 BPM | ||
Danse Bacchanale | US Air Force Concert Band | D Minor | 2 | 7A | 121 BPM | ||
Hungarian Rhapsody No. 2, S. 244/2 | Franz Liszt, Shura Cherkassky | D♭ Major | 1 | 3B | 74 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 3 | 4B | 160 BPM | ||
Main Theme (From "Jaws") | John Williams, London Symphony Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Candide: Overture | Leonard Bernstein, Marin Alsop, London Symphony Orchestra | E♭ Major | 2 | 5B | 142 BPM | ||
II. Allegretto (excerpt) from Symphony No. 7 in A Major, Op. 92 - Instrumental | Ludwig van Beethoven, Sir Georg Solti, London Symphony Orchestra | E Minor | 0 | 9A | 67 BPM | ||
Pictures at an Exhibition: I. Promenade [Orch. Ravel] | Modest Mussorgsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 0 | 7B | 87 BPM |