"Rigoletto / Act 1: Figlia! / Mio padre!" by Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini had its release date on January 1, 1980. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #7 out of 34 tracks. Rigoletto / Act 1: Figlia! / Mio padre! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Figlia! / Mio padre! by Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Figlia! / Mio padre! being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
L'Africaine / Act 4: "Pays Merveilleux ... O Paradis" | Giacomo Meyerbeer, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | F♯ Major | 2 | 2B | 66 BPM | ||
Macbeth / Act I: Coro di Streghe: "S'allontanarono!" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 115 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
Turandot / Act 1: Silenzio, olà! (Coro, Ping, Pang, Pong, Calaf, Timur) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Plácido Domingo, Gottfried Hornik, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | F♯ Minor | 0 | 11A | 66 BPM | ||
La traviata / Act 2: "Un dì, quando le veneri" | Giuseppe Verdi, Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 82 BPM | ||
Strauss II, J: Strauss: Vom Donaustrande, Op. 356 | Johann Strauss II, Wiener Philharmoniker, Riccardo Muti | G Minor | 3 | 6A | 101 BPM |