"Den forlorade sonen (The Prodigal Son) Suite: III. Drottningens av Saba festmarsch (Allegro maestoso)" by Hugo Alfvén, RTÉ National Symphony Orchestra, Niklas Willen was released on September 10, 2001. The duration of Den forlorade sonen (The Prodigal Son) Suite: III. Drottningens av Saba festmarsch (Allegro maestoso) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Den forlorade sonen (The Prodigal Son) Suite: III. Drottningens av Saba festmarsch (Allegro maestoso)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Alfven: Symphony No. 2 / The Prodigal Son by Hugo Alfvén. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Den forlorade sonen (The Prodigal Son) Suite: III. Drottningens av Saba festmarsch (Allegro maestoso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Den forlorade sonen (The Prodigal Son) Suite: III. Drottningens av Saba festmarsch (Allegro maestoso) by Hugo Alfvén, RTÉ National Symphony Orchestra, Niklas Willen is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
Käraste bröder | Sollentuna Gosskör | A Major | 1 | 11B | 135 BPM | ||
Gjendines Bådnlåt | Oslo Kammerkor | D♭ Major | 0 | 3B | 79 BPM | ||
Bacchi tempel (bort allt vad oro gör) | Carl Michael Bellman, Lunds studentsångarförening | E♭ Major | 1 | 5B | 117 BPM | ||
The fog is lifting | Carl Nielsen, Mikael Beier, Vibeke Franck, Flemming Dreisig | C Major | 1 | 8B | 112 BPM | ||
Forkladd gud, Op. 24: Bjuder ett manskooga till stilla karleksfest oss | Lars-Erik Larsson, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | D Minor | 0 | 7A | 176 BPM | ||
Cherubic Hymn, No. 7 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 1 | 10B | 86 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
Moderen, Op. 41, Scene 1: No. 2, Taagen letter (Dimman lättar) | Carl Nielsen, Anna Stångberg, Börje Mårelius | G Minor | 1 | 6A | 99 BPM |