"Canon & Gigue in D Major, P. 37: Canon (Arr. H. Farberman for Percussion Ensemble)" by Johann Pachelbel, The All Star Percussion Ensemble, Harold Farberman was released on April 6, 2018. Since Canon & Gigue in D Major, P. 37: Canon (Arr. H. Farberman for Percussion Ensemble) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Bizet, Beethoven, Pachelbel & Berlioz: Works Arranged for Percussion Ensemble by The All Star Percussion Ensemble, Harold Farberman. Based on our statistics, Canon & Gigue in D Major, P. 37: Canon (Arr. H. Farberman for Percussion Ensemble)'s popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Canon & Gigue in D Major, P. 37: Canon (Arr. H. Farberman for Percussion Ensemble) by Johann Pachelbel, The All Star Percussion Ensemble, Harold Farberman is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Hable con ella - From "Hable con ella" | Alberto Iglesias | A Minor | 2 | 8A | 107 BPM | ||
Sunshine Canyon | Michael Jones, David Darling | E Minor | 0 | 9A | 141 BPM | ||
Cäsar | Mulo Francel, Evelyn Huber | D Minor | 3 | 7A | 90 BPM | ||
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Magnificat Fugue Primi Toni XIV, P270 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | E Major | 0 | 12B | 113 BPM | ||
Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | ||
My Room | Cesare Picco | D Minor | 0 | 7A | 86 BPM |