Pyotr Ilyich Tchaikovsky, National Philharmonic Orchestra, Richard Bonynge's 'The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy)' came out on September 26, 2022. With The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 373 in A Dose of Tchaikovsky by Pyotr Ilyich Tchaikovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy) by Pyotr Ilyich Tchaikovsky, National Philharmonic Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Les saisons (The Seasons), Op. 37b: II. February: Carnival | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | D Minor | 1 | 7A | 133 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Minor | 2 | 1A | 76 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM |