Johann Strauss II, Kathleen Battle, Wiener Philharmoniker, Herbert von Karajan's 'Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987' came out on June 8, 2022. Since Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II's "Johann Strauss II - An der schönen blauen Donau" album is number 59 out of 67. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987 by Johann Strauss II, Kathleen Battle, Wiener Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto K 622 - II. Adagio | The Jane Austen Era | D Major | 0 | 10B | 90 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Wiener Philharmoniker | C Major | 8 | 8B | 90 BPM | ||
Main Title - From "Star Wars: A New Hope" | John Williams, Wiener Philharmoniker | C Major | 4 | 8B | 94 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 4 | 2A | 111 BPM |