Staatskapelle Dresden, Otmar Suitner's 'Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten' came out on 1965. With this song being about 5 minutes long, at 4:43, "Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten" by Staatskapelle Dresden, Otmar Suitner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #11. Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten by Staatskapelle Dresden, Otmar Suitner having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 2 in C Minor, "Resurrection": IV. Urlicht: Sehr feierlich, aber schlicht | Gustav Mahler, Charlotte Margiono, Jard van Nes, Dresden State Opera Chorus, Dresden Symphony Chorus, Staatskapelle Dresden, Bernard Haitink | D♭ Major | 0 | 3B | 80 BPM | ||
Symphony No. 9 in C Major, D. 944: II. Andante con moto (6) | Franz Schubert, Staatskapelle Dresden, Herbert Blomstedt | A Minor | 0 | 8A | 98 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Hélène Grimaud, Staatskapelle Dresden, Esa-Pekka Salonen | A Major | 2 | 11B | 126 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM |