Leo Brouwer, Ricardo Cobo's 'Piezas sin titulo, Nos. 1- 3 (Pieces without Title, Nos. 1- 3): Pieza sin titulo, No. 2' came out on September 9, 1997. The duration of Piezas sin titulo, Nos. 1- 3 (Pieces without Title, Nos. 1- 3): Pieza sin titulo, No. 2 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Piezas sin titulo, Nos. 1- 3 (Pieces without Title, Nos. 1- 3): Pieza sin titulo, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 35 in Brouwer: Guitar Music, Vol. 1 - Estudios Sencillos / Tres Apuntes / Cancion De Cuna by Leo Brouwer. The popularity of Piezas sin titulo, Nos. 1- 3 (Pieces without Title, Nos. 1- 3): Pieza sin titulo, No. 2 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piezas sin titulo, Nos. 1- 3 (Pieces without Title, Nos. 1- 3): Pieza sin titulo, No. 2 by Leo Brouwer, Ricardo Cobo is Presto (very, very fast), since this song has a tempo of 196 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 14 "Moonlight", Op. 27: No. 2: 1. Adagio sostenuto | Ludwig van Beethoven, Jürg Kindle | E Minor | 3 | 9A | 86 BPM | ||
Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
25 Etudes, Op. 38: No. 3 in D Minor: Prelude | Napoléon Coste, Jeffrey McFadden | D Minor | 0 | 7A | 116 BPM | ||
Comptine d'un autre été: L'Après-midi - From "Amelie" | Plínio Fernandes | G Major | 1 | 9B | 93 BPM | ||
Wind Color Vector: I. Leeward | Takashi Yoshimatsu, Craig Ogden | E Minor | 0 | 9A | 69 BPM | ||
12 Pieces for Children: No. 6, My Darling and Marjan (Variation) | Komitas, Mikael Ayrapetyan | E Major | 0 | 12B | 125 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
Preludios Epigramaticos: No. 1 | Leo Brouwer, Elena Papandreou | G Major | 0 | 9B | 116 BPM | ||
Flow | Anja Lechner, François Couturier | D♭ Minor | 0 | 12A | 118 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM |