John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss's 'Soprano Saxophone Concerto: V. Finale' came out on April 28, 2009. With this song being about 5 minutes long, at 5:14, "Soprano Saxophone Concerto: V. Finale" by John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Ticheli, F.: Wild Nights! / Etezady, R.: Anahita / Mackey, J.: Soprano Saxophone Concerto". In this album, this song's track order is #11. Soprano Saxophone Concerto: V. Finale is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Soprano Saxophone Concerto: V. Finale by John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festival Variations | Claude T. Smith, United States Army Field Band, Thomas H. Palmatier | G Minor | 3 | 6A | 142 BPM | ||
An Original Suite: II. Intermezzo | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 1 | 8A | 71 BPM | ||
Trittico: II. Adagio | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | F Major | 1 | 7B | 74 BPM | ||
Antique Violences, Concerto for Trumpet: I. The blooded lines | John Mackey, Justin Emerich, Kevin L. Sedatole, Michigan State University Wind Symphony | G Major | 6 | 9B | 123 BPM | ||
Kalos Eidos | Carol Brittin Chambers, Trade Winds Recording Ensemble | E♭ Major | 1 | 5B | 144 BPM | ||
Abram's Persuit | David Holsinger, Rutgers Wind Ensemble, William Berz | D♭ Major | 5 | 3B | 90 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: II. Song Without Words "I'll Love My Love" | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 0 | 5A | 63 BPM | ||
Southern Harmony: IV. The Soldier's Return | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Minor | 3 | 12A | 102 BPM | ||
Cajun Folk Songs: No. 2, Belle | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 2 | 6A | 157 BPM | ||
Flight of the Thunderbird | Richard Saucedo, Midwest Wind Ensemble | B♭ Major | 4 | 6B | 78 BPM |