François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown's 'Concerto for Harp and Orchestra in C: 1. Allegro brillante' came out on January 1, 1990. Since Concerto for Harp and Orchestra in C: 1. Allegro brillante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Marisa Robles, Academy of St. Martin in the Fields, Iona Brown's "Harp Concertos" album is number 4 out of 12. Based on our statistics, Concerto for Harp and Orchestra in C: 1. Allegro brillante's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Harp and Orchestra in C: 1. Allegro brillante by François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Haydn: Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | D♭ Major | 2 | 3B | 122 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Kinder-Symphonie ("Berchtoldsgadener") C Major | Leopold Mozart, Kremerata Baltica, Gidon Kremer | C Major | 2 | 8B | 136 BPM | ||
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
An die Musik, D. 547 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 91 BPM | ||
Violin Concerto in A Major, Op. 5, No. 2: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Major | 1 | 11B | 120 BPM |